My first thoughts were lens coating and the acute angle of incidence with the garage (?) light. I have seen some purple casts from fluorescent as well, although usually more universal. Unusual situation though to have at least 2 (maybe 3 if Parley is using his own light source behind the camera) sources of light all with differing colour temperures. Makes it very difficult to choose an overall white balance adjustment.
it can be but if all 3 sources are constant then that takes out some of the unknowns. Then white balance at focal point you want critical capture at and that helps. Won’t be 100% perfect but will get you close. Obviously if it is chromatic aberration then I’m that case not much you can do but it’s greatly reduced on the lower dispersion lenses used in the 4Ks so that helps.